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RadZakpak last won the day on January 21

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  1. I'm glad you've liked it! I still plan to keep it going, I've just had issues with time and motivation.
  2. For Shadows, I've gone between thinking it is a pocket and not a pocket, but I think I lean towards it not being a pocket dimension. The Mob and Tag ones were both formed around the deaths of the Mobsters and Pablo respectively, with neither able to die or escape. The Shadows characters don't seem to die but are drugged and transformed into beasts to serve the Shadowman. I think what is different about Morg City is that it is fully corrupted by the Apothicons coming from the rift stone. Our goal intially in the map is freeing the Apothicons who then proceed to corrupt and destroy Dimension 63. I don't see how they could do that if we only free them in a pocket dimension. As for the Crazy Place zombies, perhaps it is that Agarthan/Keeper influence, and they are simply "programmed" to defend the gateway from any intruders.
  3. Bringing this topic up again because I am an insane person. I think I have a more consistent answer for the eye colors of zombies, and it centers around the MPD. By default, zombies seem to just have Apothicon influence with red eyes. When the MPD is present on the Moon, however, the eyes by default are orange-yellow. When Richtofen takes over, he changes them to blue. The APD overrides the MPD in the local area in Alpha Omega to be white. Why are the eyes red in Mob of the Dead and Blood of the Dead? They are in a pocket dimension consisting entirely of Alcatraz Island and the unfinished bridge. No MPD. Why are the eyes red in Tag der Toten? Is is also a pocket dimension consisting of the Siberian Facility. No MPD. Why are the eyes red in Revelations? It takes place in Agartha where the Apothicons have brought their influence, but no Moon and no MPD. Why are the eyes red in Gorod Krovi? This I think is the crux of the wider answer. At the end of Der Eisendrache we teleport the MPD to Earth, remove its controller, and blow up the Moon on November 5th, 1945. The way fractures seem to work is that they build off of each other, so by blowing up the Moon on November 5th, 1945 in the Deceptio fracture, the Moon blows up at the same time in the Proditione and Agonia fractures. Gorod Krovi takes place on November 6th, 1945, so the Moon is now blown up and there is no MPD to influence the zombies, hence the red eyes. Why aren't they red in Zetsubou No Shima? Because ZNS takes place on October 18th, 1945, before the Moon is blown up. The MPD is still there. In Origins and Shadows of Evil, the Moon and MPD are still there, planted by the Apothicons ages ago, so the eyes are orange. I think this theory aligns with what Blundell said about the eyes mattering sometimes and something they don't matter. With this theory it doesn't really change anything that the eyes in Gorod are red, it's just that way because of when it takes place. Same with where Blood and Mob take place. But it does matter in certain cases where we need to know who is in the MPD.
  4. I always assumed that they did because of the Monty trailer seeming to be the finale of all of them: Though, I don't think it should be taken entirely literally. What he says in the trailer is just reused lines from Revelations itself. However, I think it does still imply that Primis all met up in the forest before meeting Monty in Revelations.
  5. Had a bit of an epiphany just now in relation to the denizens of the forest, and I think they could be related to Nacht being at the location. I think this relates to Nacht being the center of the multiverse and the closest place on earth to the Aether, a theory I discussed here: In this theory I also said that the Frozen Forest, at least as seen in Tag der Toten, is just outside of Nacht in Morasko. Perhaps the experiment that spawned these Denizen of The Forest also incidentally teleported the bunker from Morasko to Hanford. Maybe they were originally inhabitants of Morasko, or maybe they were residents of Hanford mutated into what they are now by creating a connection to Morasko. The green lights used for teleportation around Hanford could be a byproduct of this transition as well.
  6. Great catch with the dark woods being a parallel of the frozen forest! He could be referencing Primis between Gorod Krovi and Revelations being in the Frozen Forest, as seen in the memories trailers, with that light over the hill being their salvation, Agartha.
  7. Incredible thread, it's going to take some re-reads to full grasp everything, because there are so many moving parts and other factors to consider. But excellent work putting it into words!
  8. This topic sort of came to me out of nowhere, and I wanted to share my thoughts because I don't think I've seen really any discussion on the topic. In Revelations, there are two stand out radios in which Dr. Monty simply recites lines from famous literature: From Shakespeare's The Tempest: From Dante's Inferno (The Divine Comedy): Because of the old fashioned language and seeming randomness of these references, I don't think they were given much thought before. But I got curious recently about the origins of these quotes and what they could mean from Monty's point of view. What do they say about his situation in Revelations? Let's start with the lines from The Tempest, one of Shakespeare's last plays. The Tempest is about a group of people shipwrecked on an island led by a magical person known as Prospero. Prospero was formerly the Duke of Milan, and fled to this island years ago after a coup. One of the leaders of the coup was on the wrecked ship, and Prospero wants to make amends and return home. One of the passengers from the shipwreck is the son of a King, and he falls in love with Prospero's daughter. Meanwhile, a plot is going on to overthrow Prospero and take his position on the island. The text that Monty quoted is near the end of the marriage of Prospero's daughter and the King's son, after a celebration. Prospero remembers the plot against him and realizes he will have to give up the power he has come to know. "Our revels are now ended. These our actors, as I foretold you, were all spirits, and are melted into air, into thin air" The spirits Prospero conjured for entertainment are now gone, and their celebration comes to an end. "and, like the baseless fabric of this vision, the cloud-capped towers, the gorgeous palaces, the solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve; And, like this insubstantial pageant faded, leave not a rack behind. We are such stuff as dreams are made on, and our little lives are rounded with a sleep." In essence, despite how grand it all appears, Prospero's magic and the life he has created on the island will soon be gone. The themes of the play seem to be about the insignificance of our little lives despite how much we place importance on ourselves. Now, the lines from Dante's Divine Comedy are actually the beginning of the first of three sections, called Inferno. In summary, The Divine Comedy is about Dante travelling through Hell, Purgatory, and then Heaven. Inferno begins with Dante in the middle of his life, feeling as though he has gone down a path of sin. The dark woods represent that sin and he feels as though he is doomed. However, there is a glimmer of hope as he approaches a hill and sees the sun's rays cast overhead. They will lead him down a more righteous path. With the explanation out of the way, why is Monty fixated on these works, and these passages in particular? One interpretation of his reference to The Tempest is that he places himself in the shoes of Prospero when it comes to the cycle that Monty has created. Perhaps he even realizes that inevitably he will fail and the cycle will be broken. It would be interesting if he was already aware of the fact he was delaying the inevitable. In this viewpoint, Monty understands the folly of his actions and knows that someday, the House and Agartha will be gone and there will be nothing more of his life. In this case, his reference to Inferno is perhaps him feeling that despite the negative connotations of his actions, there is still redemption to come for him. What that redemption could be, I don't know. There is some speculation we will see more of Monty in the future, and that could further tie into this interpretation of the text. On the other hand, another interpretation could be that Monty is ascribing The Tempest's passage to humanity as a whole. Unlike he and the Keepers, our lives are small and temporary. Every empire that is created will fall, and as individuals we will be forgotten. His reference to Inferno could be a metaphor for Richtofen's journey, finding himself surrounded in darkness, a forest of bad deeds committed by his other selves. Richtofen, like Dante, sees hope through the forest and a path to redemption in following the plan up to Revelations. What do you think is the proper interpretation of these references? Also, BONUS LORE TIDBIT: The Tempest was also referenced in Black Ops's campaign. The clearance codes inside the Pentagon that McNamara uses are Prospero, Ariel, and Sycorax. Prospero being the protagonist of The Tempest, Sycorax being a witch who previously inhabited the island, and Ariel being a spirit imprisoned by Sycorax and later serving Prospero. Interestingly, as McNamara says these sequences, Mason seems to hear them as number sequences (discussed more in this thread). Is there something to this literary reference? Is Kennedy Prospero, with a plot to overthrow him coming from inside the government? Anyway, thanks for reading.
  9. Hey just wanted to say I read your story book and it is amazing. I couldn’t stop reading it and can’t wait for more chapters. Great job.

    1. RadZakpak


      Thank you so much! I'm glad you enjoyed.

  10. Excellent work collecting all of these images! Very interesting to see the design philosophy.
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